Hamishi Farah

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Albeit Tho

Painting as a platform to look at and around the physicality of digital images in an accelerated and image saturated discourse. IRL art production and .jpg economy as the out of sync video leaving a physical object as ephemera. Microblogging going macro, a misstep into the poetics of digital space, 'the feed' or 'stream' as anthology.

22 March - 6 April 2014

524 Flinders
524 Flinders Street
Melbourne, Victoria, Australia

> Download exhibition catalogue (PDF)